SHORT LISTENING ASSIGNMENT FORMAT Essay Example | Topics and Well Written Essays - 250 words - 3

SHORT LISTENING ASSIGNMENT FORMAT - Essay Example The soloists follow the order of the piano first, then the saxophone which is interrupted by the trombone and drums and then continued till trumpeter takes over. The chorus sequence at the end is beautiful not just melodiously but also visually since the musicians move their heads to match the music and add to the amusement and joy of the listeners. The soloist I most preferred is the saxophone since it was a long piece. It started at a low range of tone with beautiful riffing technique and paved the pitch for the other soloists to showcase their pieces. The slightly low range of tones in the second set of repeats is offset by the high pitched trumpets after it. It was a very successful solo. All in all the entire song evoked happiness in me. The quick paced rhythm almost resembles swing music and I felt like dancing to the tune. The melody of the chorus was pleasing as was the solo performances of the musicians. This is definitely one of those songs one can’t easily

I Believe by Joe Satriani - Strange Beautiful Tour 2002 Essay

I Believe by Joe Satriani - Strange Beautiful Tour 2002 - Essay Example The song was performed during his famous â€Å"Strange Beautiful Tour† (Satriani.Com 1) in the year 2002. Here in this performance he is seen in slightly different mood and amidst a different set up as compared to his other concerts. He is seated with his guitar with a microphone set in front of him. Joe Satriani sings and simultaneously plays the guitar with as much equal ease as he would play breathtakingly soulful and extremely complicated guitar portions. He uses a slightly different guitar tone in this song compared to the original recording. This tone as it sounded has less dominance of the chorus effect and the clean tone. It is a more natural sounding tone with which he begins the piece, playing the signature line of the song. The song has other artists backing it up with drums, bass-guitar, keyboard and backing-guitar. The refreshing sound of a dominant bass guitar adds to the magic of the overall performance. The bass guitar is played in a different style with more d rag and delay in its tone, relaxing the temperament of the song and giving it a laidback and peaceful sound. The experience of having Joe Satriani perform one of his most popular songs and that to this particular composition: â€Å"I Believe† was indeed a rare and memorable experience. ... Acclaimed for his innovative â€Å"picking† through the plectrum strokes and delicate yet clean fret-board finger movements, he shows his impeccable timing and variation in his playing style based on the mood of the song. After the completion two bars (as in the recording) Joe accompanies his guitar with his voice as well. Indeed playing a complex riff whose notations and track timings do not synchronise with the metronome strokes of a four-by-four beat, and singing simultaneous requires mastery over both art forms. Joe good at both makes it look effortless as he proceeds to the short 1-bar interlude where he plays produces the octave effect by stroking the 1st and 5th string of the guitar simultaneously and gliding his fingers over the fret board. He manages the vocal part and the guitar riffs in a very clean and effortless style, switching back and forth from playing to singing and guitar accompaniment and vice versa. The chords that he plays in the main portion of the song: â€Å"I believe, there’s a reason for everything; I believe we can change† reveal the basic chord progression of the piece and sound unique and innovative. Joe makes the performance even more interesting by playing an impromptu guitar solo in between that had slight similarities with the original interlude guitar solo. The drums only enter after the first eight lines, i.e. at the end of â€Å"There’s just no other place†. The combined sound of Joe’s guitar (with delay and chorus effects), the low whining base guitar and the drums was wonderful. Joe’s deep sense of music, his aesthetic thinking and creativity are yet again reflected through his unique solo. He deviates from the original composition for the interlude, but weaves a well rounded,